Framestore generated K’s spinner car descending over the complex environment, made up of approximately 670 assets. The production built a backlot set in Hungary with a wood scaffold construction, covered with dirt, varieties of trash and scrap metal and backed by greenscreen. Framestore modeled K’s spinner from reference of the full-scale prop and generated cloudy atmospheres layered with rainfall and the elongated shape of an Off-world ship emerging from fog. #BladeRunner2049 interiors for Wallace's Office journeys to Trash Mesa, an area south of Los Angeles, in the flying spinner vehicle resurrected and updated from the original film. But they eventually saw the Blade Runner 2049 trailer, and their unbuilt project from 2010 sprung back to life. Over time, the architects forgot about it and assumed that someone decided that spatial conception would not be included in the movie. They even showed the architects the modified version that was going to be used in the movie, but they did not tell Barozzi Veiga for what or in what part of the film the design would be used. Veiga confirmed that a copyright company working for Blade Runner 2049 contacted the architecture firm approximately a year and a half ago to ask for permission to use the image of the Neanderthal museum in the film. ArchDaily wanted to know more about the incredible similarities, so we contacted Alberto Veiga for comment, who was in Santiago, Chile (ArchDaily's headquarters), for a symposium and lecture at the Universidad San Sebastian. As highlighted by another Twitter user Laura Broad, the image bears more than a passing resemblance to an image produced by Estudio Barozzi Veiga for their unbuilt 2010 design for the Neanderthal Museum in Piloña, Spain. The image in question, tweeted by the film’s concept artist Peter Popken, shows concept art for the office of Wallace, the film’s main antagonist. However, it seems that some architects may have a more direct interest in the film than usual, as images surfacing on Twitter show an uncanny similarity between some of the film’s concept art and a 2010 design by Spanish practice Estudio Barozzi Veiga. Blade Runner 2049, the recently-released sequel to the 1982 sci-fi classic, has prompted a deluge of interest in the futuristic, dystopian world in which it is set.
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